Pro Tools Riaa Curve
Home > The Forums > High end Software Based RIAA Equalization For Audiophile. (on VERY serious pro soundsystems), and sample material. The RIAA curve can be. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The Line Output jacks are low impedance and can work with any sound card. Housed in an all aluminum black anodized case, the DJ PRE II can be powered by a wide variety of external supplies. Apr 04, 2006 The only person that masters for vinyl is the guy that cuts the disc. You can't do anything. The riaa curve is part of the encoding process, if you will, that happens when the lathe is cutting the master. Things that you need to worry about are things like making sure your mix is mono compatable. Phase problems are much bigger problems on vinyl. HiFi & AV - Pro-audio Car audio - Parts Defunct Audio Companies Record Labels - Lighting Musical instruments: Europe - Asia & the Pacific America & the Carribean. Made a range of RIAA preamps, most if not all were made to fit into the frame of their turntables but will obviously be useable standalone (if a bit industrial in appearance). The only person that masters for vinyl is the guy that cuts the disc. You can't do anything. The riaa curve is part of the encoding process, if you will, that happens when the lathe is cutting the master. Things that you need to worry about are things like making sure your mix is mono compatable. Phase problems are much bigger problems on vinyl.
Our friend Dave Hill at Cranesong has announced a new Vintage Emulation plug-in Peacock. He writes:
“Peacock can be used on a stereo bus to create the classic vinyl sound. On individual tracks it is also very useful in creating large fat sounds, smoothing of the harmonic content and making a nice smooth vintage sound on vocals and other instruments.
There are three main controls; Harmonic, Dynamic and Color. The Harmonic and Dynamic controls interact and control the level of the harmonic distortion. The Color switch changes the character / interaction of the controls and sets the maximum amount of midrange / LF color and the HF compression characteristic. The Dynamic control is the tricky one, what is does is time modulate the distortion components which are very frequency dependent due to the RIAA curve.
There are two main components that cause time modulation in a vinyl record. The first is due to the cutter and the playback stylus not having the same shape, this is called tracing distortion the other is tracking distortion due to the playback systems miss-alignment and the inability to perfectly follow the grove in the record.
The Dither control adds noise that is the spectrum of record noise. It modulates some of the internal functions an adds dither to the audio path at a level for 16 bit dithering
Color = Gold is an extremely close match to the test material which is a record and the original wave file. It has been optimized at 96K but will work fine at other sample rates.
The Silver setting is lighter setting and coloring increases in the order of the settings; Silver, Gold, Rich, Fat, Deep. Silver is also the brightest setting.
The amount of time modulation with the Dynamic control is level dependent and has a maximum range. It is more of a matter of finding the control position that is optimum. Pushing it to higher levels creates ugly sounds. The code prevents this.
The plug-in can introduce large amounts of second harmonic distortion resulting in a large fat smooth sound.”
The Mac AAX version is expected anytime soon.
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I'm about to begin archiving my collection of 3000+ records into 24 bit / 96kHz files for preservation, digital playback, and studio production work.I've come across one or two references to sidestepping the phono stage EQ and doing the RIAA equaliztion on the computer to achieve a more transparent recording.
This is a software package designed expressly for that purpose:
Pure Vinyl
And this is a second company that sells software as well as phono preamps without RIAA conversion for this purpose:
The New Way For Vinyl Recording
A few quotes I've found relating to the idea and methodology..
You might try plugging your turntable directly into the iMic to record a track, and then do your declicking right away. Then you can feed the declicked file to the Griffin software for RIAA equalization. This will avoid the phenomon of pulse-stretching of clicks by the RIAA playback curve.
Doing the RIAA equalization in the Griffin software will have the effect of amplifying the quantization noise and distortion increasingly below 500 Hz. But the human ear has decreasing sensitivity to low-level sound with decreasing frequency, so this may not be a problem. I do not own an iMic nor use the Griffin software, so you might try a transfer both ways, and see which you prefer. The RIAA curve can be done more accurately in the digital domain, in most cases, compared to the analog domain.
But then I found one other person talking about the same thing:
Problem is the two people above are the ONLY ones I've ever heard making mention of this and I've spent days searching here and elsewhere and haven't seen any first hand experiences with it. So my question is, with all else being equal (great turntable, tonearm, stylus, proper isolation, interconnects, top notch A/D converter) would going this route truly provide the absolute best quality encodings?
There's no doubt that many audiophile phono stages are prized as much for their unique 'coloring' of the sound as they are for their low noise floor. Since I am looking for the most transparent archiving possible taking one piece of hardware out of the signal chain makes sense to me (at least in theory).